The Shah Mosque or Masjed-e Shah (Persian: مسجد امام), recently known as Imam Mosque is a mosque in Isfahan, Iran standing in south side of Naghsh-i Jahan Square.
Built during the Safavids period, it is an excellent example of Islamic architecture of Iran, and regarded as the masterpiece of Persian Architecture. The Shah Mosque of Esfahan is one of the everlasting masterpieces of architecture in Iran and all over the world. It is registered along with the Naghsh-i Jahan Square as a UNESCO World Heritage Site. Its construction began in 1611, and its splendor is mainly due to the beauty of its seven-color mosaic tiles and calligraphic inscriptions.
The mosque is depicted on the reverse of the Iranian 20,000 rials banknote.[1]
Dvqaby both sides of the entrance is located kilim designs its worshipers who prays. More spatial volume of interest in this view, sometimes on a blue Drkhshansh case becomes almost ethereal, quite on the field is dominant in conflict with the elegant royal palace, the incredible superiority of religion over secular power and the fundamental importance of religion in the lives of city shows. Jlvkhan is facing north, as the field was necessary, but since the altar should be New Jersey (ie, northeast to the southwest) to avoid being Qnas taste and great accuracy was necessary. Successfully solved this problem. High atrial Jlvkhan person into which features monuments of ancient Iran from the time. This is a circular atrium, and hence any direction and can not be like Pashnhay built on its spin axis. Arch long corridor to the North porch opens from the dark depths of human Nag•hanm yard sees bright sun. The head of the yard is large bedchamber, portal to another world focused on the glory and power. If the glory and grandeur of the scene color head and the dome was already stunning, stunning was repeated, repeated melodic elements of construction, symmetrical Taqnmahay, Ayvanhay balanced, calm and ablution large pool of homogeneous color poster that surround the widespread, state dome elegant and impressive, and slightly bulbous shape, located on a long stem, simple and has a very clear plan and Gvyast without any carrier or any Pshtbnd.
[edit]
Architectural
The Seljuqs and the Safavids founded the Shah Mosque as a channel through which they could express themselves with their numerous architectural techniques. The four- iwan format, finalized by the Seljuq dynasty, firmly established the courtyard facade of such mosques as more important than their exterior ones. During the Seljuq rule, as Islamic mysticism was on the rise in the region, the four-iwan arrangement came to be interpreted as seeking true meaning within the appearance. Their presence can serve the sole purpose of being the passageway between the material world and that of the spiritual. It must also be noted that glazed brickwork and tiling had little appeal to the Seljuqs as they primarily favored the distinct tranquil color of turquoise blue.
Facing northwards, the mosque’s portal to the Maidan is usually under shadow but since it has been coated with radiant tile mosaics it glitters with a predominantly blue light of extraordinary intensity. The ornamentation of the structures is utterly traditional, as it recaptures the classic Iranian motifs of symbolic appeal for fruitfulness and effectiveness. Within the symmetrical arcades and the balanced iwans, one is drowned by the endless waves of intricate arabesque in golden yellow and dark blue which bless the spectator with a space of internal serenity.
Covered with premeditated calligraphic fresco, the front doors are used as an apparatus to remind the spectator of the glory of God and of Shah Abbas I himself. Entering from the northern iwan, the compelling physical presence of the identical side iwans direct our attention to the soaring qibla iwan situated straight ahead. As a result such architecture stresses the degree of fidelity in the structure which makes it explicitly pervasive.
Imam Mosque, Shah Mosque or Abbasi Jame Mosque, which is known as one of the mosques Jahan Square in Isfahan, which was built during the Safavid and important architectural monuments of Iran Bhshmarmyrvd. The building immortal masterpieces of architecture, carpentry and tile work in the eleventh century AH is.
The mosque on the south side of Imam Square is located in the year 1020 AH Shah Abbas ordered the twenty-fourth year of his reign started its extensions and decorations, and his successors in the course is finished. Quality architecture This represents the height of a thousand years of mosque building in Iran. Shaping traditions, ideals, concepts of religious ritual, which maps the older and simpler types of slowly finding perfection, large elements of construction and decorations in the mosque with all the grandeur that it considered the world's greatest monuments placed, and unity has been realized. All royal mosque is a proportional and large Shalvdhay built. Nymgnbd arch head outside the field is 27 meters long and 33 meters high minarets. Mnarhhay bedchamber over the longer it is, while above all it dome located. Jlvkhan, which is almost a building mode, caller that the population N Byrv shelter, security and revitalizing the mosque calls.
[edit]
See also
Islamic Architecture
List of mosques
Sultan Ahmed Mosque
Islam in Iran
Google Maps Satellite view
Dvqaby both sides of the entrance is located kilim designs its worshipers who prays. More spatial volume of interest in this view, sometimes on a blue Drkhshansh case becomes almost ethereal, quite on the field is dominant in conflict with the elegant royal palace, the incredible superiority of religion over secular power and the fundamental importance of religion in the lives of city shows.
Jlvkhan is facing north, as the field was necessary, but since the altar should be New Jersey (ie, northeast to the southwest) to avoid being Qnas taste and great accuracy was necessary. Successfully solved this problem. High atrial Jlvkhan person into which features monuments of ancient Iran from the time. This is a circular atrium, and hence any direction and can not be like Pashnhay built on its spin axis. Arch long corridor to the North porch opens from the dark depths of human Nag•hanm yard sees bright sun. The head of the yard is large bedchamber, portal to another world focused on the glory and power. If the glory and grandeur of the scene color head and the dome was already stunning, stunning was repeated, repeated melodic elements of construction, symmetrical Taqnmahay, Ayvanhay balanced, calm and ablution large pool of homogeneous color poster that surround the widespread, state dome elegant and impressive, and slightly bulbous shape, located on a long stem, simple and has a very clear plan and Gvyast without any carrier or any Pshtbnd. Following the map and the building reflects the belief of both simple and fundamental concept in Islam shows and tells, that certainly brotherhood and equality of all believers direct access to the mercy of God have been. Motion and facilitate communication everywhere and no place in the barrier does not exist. Mosque floor no stairs, fence or no queues. Not seen in any package, any tunnel like corridor, place Chorus, passageway, a separate structure, such as no altar, no dedicated space, no there is no privileged position, just as any specific event, any object of any series of sacred and religious authorities available are not known. Walls in the role of flowers and garden plants are lost Manndshan, or real and natural gardens are open. Due to focus on listening perspectives on eight columns wide and created space to come up appears.
Taqhay long and wide and high and tunable Tqathay Anhnahay spicy spaces that freely shows to the sanctuary, go down like waves on one another. Prayer, when prayer or standing alone in space communications company emerged Jsthand, see each other. Mutual awareness and common worship is the core of Islam and religion in the service of building here has been. The Profile Great mosque dome height 52 m and height of minarets and 48 meters inside the main entrance Artfah minaret in the world as 42 square meters. Interesting points in the mosque dome in the center of reflection of sound is large South. Large parts and integrated Sngabhay exquisite marble, the mosque is another interesting Dydnyhay. The mosque has two huge bedchamber symmetry in the eastern and western sides of the courtyard is. One Shbstanha (Eastern seraglio) and simple Bytzyyn bigger and the other (west bedchamber), but smaller ornamental with seven colored tiles and brick sanctuary Mhrabhay also the most beautiful mosques of Isfahan. Two angles southwest and southeast of the symmetrical two schools that the school is located south-east angle of the cell that is also living scholars, school and school of Nazareth southwest angle is called the Süleymaniye. Ivan the Great Mosque south elevation is 33 m and its two minarets on either side were the height of each of them 48 meters. The two minarets are decorated with tiles and Muhammad Ali names and the duplicate to the building line on the body as they are closed. Great Mosque dome decorative tile work is interesting and you have an inscription in Sols on the white background is ultramarine Clay Tile This architectural style is the way Esfahani. The main decorations of the mosque brick tiles has seven colors. Southwest School Mosque simple piece of stone into specified index location is embedded in the noon of the real season shows the calculated and Sheikh Baha'i scientist, and mathematician known as the supreme leader vowed Abbas has done . The mosque inscriptions known masterpiece Testament Safavid calligraphers such as Tabriz and Bdalbaqy Alireza Abbasi, Mohammad Reza Emami. Inscriptions magnificent mosque entrance line Alireza Abbasi Khoshnevis Safavid era is renowned by the year 1025 are listed 8 Asprhay parties input tablet with black writings on Fyzvh field in which they spray each of these four work been bred. At the mosque entrance frontage Ktybhhayy terms and poems there. A large flat stone is also in the West Wing Jlvkhan that it posts only the Name of God remains. Inscription exterior entrance, on a white background Sols Clay tile there. Nstlyq line poems that cover the main mosque, silver and gold ornament is given is completed this year and installation of poems in 1038 to 1052 are listed; poetry above the 16-bit byte on a door and the other eight bits on the other door is closed as dramatically. This, is located on the south side
Built during the Safavids period, it is an excellent example of Islamic architecture of Iran, and regarded as the masterpiece of Persian Architecture. The Shah Mosque of Esfahan is one of the everlasting masterpieces of architecture in Iran and all over the world. It is registered along with the Naghsh-i Jahan Square as a UNESCO World Heritage Site. Its construction began in 1611, and its splendor is mainly due to the beauty of its seven-color mosaic tiles and calligraphic inscriptions.
The mosque is depicted on the reverse of the Iranian 20,000 rials banknote.[1]
Dvqaby both sides of the entrance is located kilim designs its worshipers who prays. More spatial volume of interest in this view, sometimes on a blue Drkhshansh case becomes almost ethereal, quite on the field is dominant in conflict with the elegant royal palace, the incredible superiority of religion over secular power and the fundamental importance of religion in the lives of city shows. Jlvkhan is facing north, as the field was necessary, but since the altar should be New Jersey (ie, northeast to the southwest) to avoid being Qnas taste and great accuracy was necessary. Successfully solved this problem. High atrial Jlvkhan person into which features monuments of ancient Iran from the time. This is a circular atrium, and hence any direction and can not be like Pashnhay built on its spin axis. Arch long corridor to the North porch opens from the dark depths of human Nag•hanm yard sees bright sun. The head of the yard is large bedchamber, portal to another world focused on the glory and power. If the glory and grandeur of the scene color head and the dome was already stunning, stunning was repeated, repeated melodic elements of construction, symmetrical Taqnmahay, Ayvanhay balanced, calm and ablution large pool of homogeneous color poster that surround the widespread, state dome elegant and impressive, and slightly bulbous shape, located on a long stem, simple and has a very clear plan and Gvyast without any carrier or any Pshtbnd.
[edit]
Architectural
The Seljuqs and the Safavids founded the Shah Mosque as a channel through which they could express themselves with their numerous architectural techniques. The four- iwan format, finalized by the Seljuq dynasty, firmly established the courtyard facade of such mosques as more important than their exterior ones. During the Seljuq rule, as Islamic mysticism was on the rise in the region, the four-iwan arrangement came to be interpreted as seeking true meaning within the appearance. Their presence can serve the sole purpose of being the passageway between the material world and that of the spiritual. It must also be noted that glazed brickwork and tiling had little appeal to the Seljuqs as they primarily favored the distinct tranquil color of turquoise blue.
Facing northwards, the mosque’s portal to the Maidan is usually under shadow but since it has been coated with radiant tile mosaics it glitters with a predominantly blue light of extraordinary intensity. The ornamentation of the structures is utterly traditional, as it recaptures the classic Iranian motifs of symbolic appeal for fruitfulness and effectiveness. Within the symmetrical arcades and the balanced iwans, one is drowned by the endless waves of intricate arabesque in golden yellow and dark blue which bless the spectator with a space of internal serenity.
Covered with premeditated calligraphic fresco, the front doors are used as an apparatus to remind the spectator of the glory of God and of Shah Abbas I himself. Entering from the northern iwan, the compelling physical presence of the identical side iwans direct our attention to the soaring qibla iwan situated straight ahead. As a result such architecture stresses the degree of fidelity in the structure which makes it explicitly pervasive.
Imam Mosque, Shah Mosque or Abbasi Jame Mosque, which is known as one of the mosques Jahan Square in Isfahan, which was built during the Safavid and important architectural monuments of Iran Bhshmarmyrvd. The building immortal masterpieces of architecture, carpentry and tile work in the eleventh century AH is.
The mosque on the south side of Imam Square is located in the year 1020 AH Shah Abbas ordered the twenty-fourth year of his reign started its extensions and decorations, and his successors in the course is finished. Quality architecture This represents the height of a thousand years of mosque building in Iran. Shaping traditions, ideals, concepts of religious ritual, which maps the older and simpler types of slowly finding perfection, large elements of construction and decorations in the mosque with all the grandeur that it considered the world's greatest monuments placed, and unity has been realized. All royal mosque is a proportional and large Shalvdhay built. Nymgnbd arch head outside the field is 27 meters long and 33 meters high minarets. Mnarhhay bedchamber over the longer it is, while above all it dome located. Jlvkhan, which is almost a building mode, caller that the population N Byrv shelter, security and revitalizing the mosque calls.
[edit]
See also
Islamic Architecture
List of mosques
Sultan Ahmed Mosque
Islam in Iran
Google Maps Satellite view
Dvqaby both sides of the entrance is located kilim designs its worshipers who prays. More spatial volume of interest in this view, sometimes on a blue Drkhshansh case becomes almost ethereal, quite on the field is dominant in conflict with the elegant royal palace, the incredible superiority of religion over secular power and the fundamental importance of religion in the lives of city shows.
Jlvkhan is facing north, as the field was necessary, but since the altar should be New Jersey (ie, northeast to the southwest) to avoid being Qnas taste and great accuracy was necessary. Successfully solved this problem. High atrial Jlvkhan person into which features monuments of ancient Iran from the time. This is a circular atrium, and hence any direction and can not be like Pashnhay built on its spin axis. Arch long corridor to the North porch opens from the dark depths of human Nag•hanm yard sees bright sun. The head of the yard is large bedchamber, portal to another world focused on the glory and power. If the glory and grandeur of the scene color head and the dome was already stunning, stunning was repeated, repeated melodic elements of construction, symmetrical Taqnmahay, Ayvanhay balanced, calm and ablution large pool of homogeneous color poster that surround the widespread, state dome elegant and impressive, and slightly bulbous shape, located on a long stem, simple and has a very clear plan and Gvyast without any carrier or any Pshtbnd. Following the map and the building reflects the belief of both simple and fundamental concept in Islam shows and tells, that certainly brotherhood and equality of all believers direct access to the mercy of God have been. Motion and facilitate communication everywhere and no place in the barrier does not exist. Mosque floor no stairs, fence or no queues. Not seen in any package, any tunnel like corridor, place Chorus, passageway, a separate structure, such as no altar, no dedicated space, no there is no privileged position, just as any specific event, any object of any series of sacred and religious authorities available are not known. Walls in the role of flowers and garden plants are lost Manndshan, or real and natural gardens are open. Due to focus on listening perspectives on eight columns wide and created space to come up appears.
Taqhay long and wide and high and tunable Tqathay Anhnahay spicy spaces that freely shows to the sanctuary, go down like waves on one another. Prayer, when prayer or standing alone in space communications company emerged Jsthand, see each other. Mutual awareness and common worship is the core of Islam and religion in the service of building here has been. The Profile Great mosque dome height 52 m and height of minarets and 48 meters inside the main entrance Artfah minaret in the world as 42 square meters. Interesting points in the mosque dome in the center of reflection of sound is large South. Large parts and integrated Sngabhay exquisite marble, the mosque is another interesting Dydnyhay. The mosque has two huge bedchamber symmetry in the eastern and western sides of the courtyard is. One Shbstanha (Eastern seraglio) and simple Bytzyyn bigger and the other (west bedchamber), but smaller ornamental with seven colored tiles and brick sanctuary Mhrabhay also the most beautiful mosques of Isfahan. Two angles southwest and southeast of the symmetrical two schools that the school is located south-east angle of the cell that is also living scholars, school and school of Nazareth southwest angle is called the Süleymaniye. Ivan the Great Mosque south elevation is 33 m and its two minarets on either side were the height of each of them 48 meters. The two minarets are decorated with tiles and Muhammad Ali names and the duplicate to the building line on the body as they are closed. Great Mosque dome decorative tile work is interesting and you have an inscription in Sols on the white background is ultramarine Clay Tile This architectural style is the way Esfahani. The main decorations of the mosque brick tiles has seven colors. Southwest School Mosque simple piece of stone into specified index location is embedded in the noon of the real season shows the calculated and Sheikh Baha'i scientist, and mathematician known as the supreme leader vowed Abbas has done . The mosque inscriptions known masterpiece Testament Safavid calligraphers such as Tabriz and Bdalbaqy Alireza Abbasi, Mohammad Reza Emami. Inscriptions magnificent mosque entrance line Alireza Abbasi Khoshnevis Safavid era is renowned by the year 1025 are listed 8 Asprhay parties input tablet with black writings on Fyzvh field in which they spray each of these four work been bred. At the mosque entrance frontage Ktybhhayy terms and poems there. A large flat stone is also in the West Wing Jlvkhan that it posts only the Name of God remains. Inscription exterior entrance, on a white background Sols Clay tile there. Nstlyq line poems that cover the main mosque, silver and gold ornament is given is completed this year and installation of poems in 1038 to 1052 are listed; poetry above the 16-bit byte on a door and the other eight bits on the other door is closed as dramatically. This, is located on the south side
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